for taking care of Robinson Crusoe poster designed in 1974 by Richtář and for sending us her snapshots. Framing par excellence, it looks absolutely beautiful. White was a great choice and mounting is a joy to look at. Could there be a better place for Robinson Crusoes than Mallorca island? Bellow is the answer:
Original poster can be seen by clicking on any of the images. Or you can explore other fascinating poster designs made for the films based on Daniel Defoe‘s writings.
we were astonished when we received the snapshots of the The Sting movie poster. Knowing it is his favourite movie makes us feel even happier with what we can see. Karel Machálek would be possibly also delighted, seeing it on such a great display. There is so much more than just love to his posters. Many are iconic by now and believe this marvel will be icon once, too.
Karel Machálek (b.1937) emigrated from Czechoslovakia to France in 1976. Believe he could have many reasons, but the main one was, that his exhibition in France / Lyon was taking longer than expected and Czechoslovak embassy did not want to extend his stay; he applied for asylum1 .
This sort of courageous behaviour fits with Karel Machálek’s posters very well. His movie posters are just different dimension, nothing as such and they are indeed designed courageously. Karel Machálek left about 50 movie posters behind and every one of them talk. Not so much known, but together with painting/sculpture he was also poet with pseudonym Zlín. Collection of his early poems was not published in Czechoslovakia, until the end of Communism. We are very grateful for Karel Machálek’s addition to Czechoslovak poster art and also very glad seeing one of his movie poster, so beautifully preserved.
Thank you very much Daniel, to add white mount and framing pulls it out really nicely.
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Please explore wonderful movie posters of Karel Machálek in chronological order.
Or see other fascinating Paul Newman / Robert Redford movie posters in our shop / archive.
b. 14th of November 1926, Prague-Hostivice, Czech Republic
Education:
1942−1945, State Graphic School, Prague (Karel Muller)
1945−1950, Academy of Arts, Architecture and Design in Prague (Karel Svolinský)
Awards, Exhibitions:
Exhibition of Czechoslovak Graphic Art, Poland & Soviet Union, 1955
2nd International Exhibition of Film Posters, Versailles, 1961
Honorary Artist, ÚPF (Ústřední Půjčovna Filmů / State Film distribution), 1961
Czechoslovak Poster, Havana, 1962
Biennale Brno 1964, 1966, 1970, 1972 (dated only until 1972)
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Moving ahead in alphabet we would almost missed on one of the very important Czech women graphic artist of the Sixties poster design. Incident could occur easily, there is no evidence of movie poster of Naděžda Bláhová in our poster archive that would point to Sixties. On our research through the history of Czechoslovak film poster we are finding out that we should stop and do a little rewind. Naděžda Bláhová has exhibited since the Fifties!
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Small appearance of Naděžda Bláhová’s movie posters in our collection is not accidental. She created possibly not more than thirty movie posters and some of them are real rarities. Editor for publishers of children books for some time, paradoxically to the movie posters shown in this article Naděžda Bláhová was mostly illustrating books for kids.
Her poster designs as can be seen on the images still owe some to illustration, but are evolved into rapid graphics and strong typography. Total opposite to that kid’s story. Minimalist movie posters with excellent lettering overtaking almost one third of the poster. Her beautiful typography layout is also worth noting.
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On the image above we can see Naděžda Bláhová talked graphics respectively. It is the snippet of her work from The International Exhibition of Poster and Promotional Graphics 1970’s catalogue1 . It shows the cover of the magazine called Typografia published in 1960’s Czechoslovakia. (You can also see some other Biennale participants from the movie poster section – Rudolf Altrichter, Robert Brož or Josef Flejšar) Cover did not need to be necessarily in black and white, catalogue photographs were usually printed as such. We will leave filling the colours to you.
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Note: this showcase is part of our ongoing article Film posters / Made in Czechoslovakia. The story of film posters.
II. Bienále Užité Grafiky Brno ’66, Medzinárodní Výstava Knižní Grafiky a Ilustrace, Moravská Galerie v Brně. / 2nd Biennale of Graphic Design Brno ’66, The International Exhibition of Book Graphics and Illustrations, Moravian Gallery Brno, 1966
IV. Bienále Užité Grafiky Brno 1970, Medzinárodní Přehlídka Plakátu a Propagační Grafiky, Moravská Galerie v Brně. / 4th Biennale of Graphic Design Brno 1970, The International Exhibition of Poster and Promotianal Graphics, Moravian Gallery Brno, 1970
V. Bienále Užité Grafiky Brno 1972, Medzinárodní Výstava Ilustrace a Knižní Grafiky, Moravská Galerie v Brně. / 5th Biennale of Graphic Design Brno 1972, The International Exhibition of Illustrations and Book Graphics, Moravian Gallery Brno, 1972
1. Typography, magazine cover, pen drawing, 31 x 23.4, 1969 – IV. Bienále Užité Grafiky Brno 1970, Medzinárodní Přehlídka Plakátu a Propagační Grafiky, Moravská Galerie v Brně. / 4th Biennale of Graphic Design Brno 1970, The International Exhibition of Poster and Promotional Graphics, Moravian Gallery Brno, 1970 (p.138)
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